Tuesday, December 31, 2013

In the Room

A poem by James Thomson (1834-1882)
In his life, he penned under the name Bysshe Vanolis, 
and his greatest work is said to be 
"The City of Dreadful Night"
This piece, however, is my favourite of his.

"Ceste insigne fable et tragicque comedie."--RABELAIS

THE sun was down, and twilight grey
  Filled half the air; but in the room,
Whose curtain had been drawn all day,
  The twilight was a dusky gloom:
Which seemed at first as still as death,
  And void; but was indeed all rife
With subtle thrills, the pulse and breath
  Of multitudinous lower life.

In their abrupt and headlong way
  Bewildered flies for light had dashed
Against the curtain all the day,
  And now slept wintrily abashed;
And nimble mice slept, wearied out
  With such a double night's uproar;
But solid beetles crawled about
  The chilly hearth and naked floor.

And so throughout the twilight hour
  That vaguely murmurous hush and rest
There brooded; and beneath its power
  Life throbbing held its throbs supprest:
Until the thin-voiced mirror sighed,
  "I am all blurred with dust and damp,
So long ago the clear day died,
  So long has gleamed nor fire nor lamp."

Whereon the curtain murmured back,
  "Some change is on us, good or ill;
Behind me and before is black
  As when those human things lie still:
But I have seen the darkness grow
  As grows the daylight every morn;
Have felt out there long shine and glow,
  In here long chilly dusk forlorn."

The cupboard grumbled with a groan,
  "Each new day worse starvation brings:
Since he came here I have not known
  Or sweets or cates or wholesome things:
But now! a pinch of meal, a crust,
  Throughout the week is all I get.
I am so empty; it is just
  As when they said we were to let."

"What is become, then, of our Man?"
  The petulant old glass exclaimed;
"If all this time he slumber can,
  He really out to be ashamed.
I wish we had our Girl again,
  So gay and busy, bright and fair:
The girls are better than these men,
  Who only for their dull selves care.

"It is so many hours ago--
  The lamp and fire were both alight--
I see him pacing to and fro,
  Perturbing restlessly the night.
His face was pale to give one fear,
  His eyes when lifted looked too bright;
He muttered; what, I could not hear:
  Bad words though; something was not right."

The table said, "He wrote so long
  That I grew weary of his weight;
The pen kept up a cricket song,
  It ran and ran at such a rate:
And in the longer pauses he
  With both his folded arms downpressed,
And stared as one who does not see,
  Or sank his head upon his breast."

The fire-grate said, "I am as cold
  As if I never had a blaze;
The few dead cinders here I hold,
  I held unburned for days and days.
Last night he made them flare; but still
  What good did all his writing do?
Among my ashes curl and thrill
  Thin ghosts of all those papers too."

The table answered, "Not quite all;
  He saved and folded up one sheet,
And sealed it fast, and let it fall;
  And here it lies now white and neat."
Whereon the letter's whisper came,
  "My writing is closed up too well;
Outside there's not a single name,
  And who should read me I can't tell."

The mirror sneered with scornful pride,
  (That ancient crack which spoiled her looks
Had marred her temper), "Write and write!
  And read those stupid, worn-out books!
That's all he does, read, write, and read,
  And smoke that nasty pipe which stinks:
He never takes the slightest heed
  How any of us feels or thinks.

"But Lucy fifty times a day
  Would come and smile here in my face,
Adjust a tress that curled astray,
  Or tie a ribbon with more grace.
She looked so young and fresh and fair,
  She blushed with such a charming bloom,
It did one good to see her there,
  And brightened all things in the room.

"She did not sit hours stark and dumb
  As pale as moonshine by the lamp;
To lie in bed when day was come,
  And leave us curtained chill and damp.
She slept away the dreary dark,
  And rose to greet the pleasant morn;
And sang as gaily as a lark
  While busy as the flies sun-born.

"And how she loved us every one;
  And dusted this and mended that,
With trills and laughs and freaks of fun,
  And tender scoldings in her chat!
And then her bird, that sang as shrill
  As she sang sweet; her darling flowers
That grew there in the window-sill,
  Where she would sit at work for hours.

"It was not much she ever wrote;
  Her fingers had good work to do;
Say, once a week a pretty note;
  And very long it took her too.
And little more she read, I wis;
  Just now and then a pictured sheet,
Besides those letters she would kiss
  And croon for hours, they were so sweet.

"She had her friends too, blithe young girls,
  Who whispered, babbled, laughed, caressed,
And romped and danced with dancing curls,
  And give our life a joyous zest.
But with this dullard, glum and sour,
  Not one of all his fellow-men
Has ever passed a social hour;
  We might be in some wild beast's den."

This long tirade aroused the bed,
  Who spoke in deep and ponderous bass,
Befitting that calm life he led,
  As if firm-rooted in his place:
In broad majestic bulk alone,
  As in thrice venerable age,
He stood at once the royal throne,
  The monarch, the experienced sage:

"I know what is and what has been;
  Not anything to me comes strange,
Who in so many years have seen
  And lived through every kind of change.
I know when men are good or bad,
  When well or ill," he slowly said;
"When sad or glad, when sane or mad,
  And when they sleep alive or dead."

At this last word of solemn lore
  A tremor circled through the gloom,
As if a crash upon the floor
  Had jarred and shaken all the room:
For nearly all the listening things
  Were old and worn, and knew what curse
Of violent change death often brings,
  From good to bad, from bad to worse;

They get to know each other well,
  To feel at home and settled down;
Death bursts among them like a shell,
  And strews them over all the town.
The bed went on, "This man who lies
  Upon me now is stark and cold;
He will not any more arise,
  And do the things he did of old.

"But we shall have short peace or rest;
  For soon up here will come a rout,
And nail him in a queer long chest,
  And carry him like luggage out.
They will be muffled all in black,
  And whisper much, and sigh and weep:
But he will never more come back,
  And some one else in me must sleep."

Thereon a little phial shrilled,
  "Here empty on the chair I lie:
I heard one say, as I was filled,
  'With half of this a man would die.'
The man there drank me with slow breath,
  And murmured,'Thus ends barren strife:
O sweeter, thou cold wine of death,
  Than ever sweet warm wine of life.'"

"One of my cousins long ago,
  A little thing," the mirror said,
"Was carried to a couch to show,
  Whether a man was really dead.
Two great improvements marked the case:
  He did not blur her with his breath,
His many-wrinkled, twitching face
  Was smooth old ivory: verdict, Death.--"

It lay, the lowest thing there, lulled
  Sweet-sleep-like in corruption's truce;
The form whose purpose was annulled,
  While all the other shapes meant use.
It lay, the he become now it,
  Unconscious of the deep disgrace,
Unanxious how its parts might flit
  Through what new forms in time and space.

It lay and preached, as dumb things do,
  More powerfully than tongues can prate;
Though life be torture through and through,
  Man is but weak to 'plain of fate:
The drear path crawls on drearier still
  To wounded feet and hopeless breast?
Well, he can lie down when he will,
  And straight all ends in endless rest.

And while the black night nothing saw,
  And till the cold morn came at last,
That old bed held the room in awe
  With tales of its experience vast.
It thrilled the gloom: it told such tales
  Of human sorrow and delights,
Of fever moans and infant wails,
  Of births and deaths and bridal nights.

James Thomson


Monday, November 25, 2013

NOVUS AETERNO ON KICKSTARTER

Well well, Josh, in loving and respectful memory of "Carmen Sandiego", "Prince of Persia", "Spiritual Warfare", "Joshua", "Mathblaster", "Supaplex", and all our other old favourites, here's a fun new game for us to play:

Note to Mel, Laura, Dad, Gini and even you, mum: This is the long-awaited game "Novus Aeterno," a gloriously huge strategy game, of which Danny is the art director and character designer. Please do me the favour and spread it around to all the game-hungry, lazy young scallawags you know, as the game will only be released if enough backers decide to fund it. Laura, I'd like to bet my boots uncle Stephane would flip over with this one.
THANK YOU!




Monday, November 11, 2013

Latest Edition of my sewing studio

This is what my poor desk looks like when it's neat, nowadays. Notice the cunning paper-shopping bag which I use for a trashcan in the bottom left corner, and my favourite black-and-red coffee cup which permanently follows me around the house. I have to jam my metal ruler into the lid of my sewing box (THANKS MUM!!!) in order to keep it open while it's on my desk. 
When I'm not sewing, I clear all the stuff off the table, put the lid back over my sewing machine, and centralize the laptop. My speakers don't fit on my desk when the sewing machine is in residence, so I keep them on the floor, which may account for the fact that my husband never thinks the room looks neat nowadays.   

Here's my left drawer: an old reindeer stuffie, bills and correspondence chucked in the back, and a few needlework supplies, as well as my collection of odd thread spools. The yellow plastic case is my on-the-go sewing box, and I keep it fully stocked with needles, pins, seam-ripper, mini-scissors, tailor's chalk, pencil and noteblock (for marking down measurements) spare crochet hooks, and a thimble. 
Now, how on earth did my best sewing scissors end up in here?

Ah, this is my stationery drawer. Notice the elegant little basket where I stash my pencil sharpener.
 I think that gold-coloured bag has odd wires and electronic gadgetry, such as earphones and batteries, but I'm not sure. As you may observe, I'm still the ragman when it comes to saving used wrapping paper. 

Here's a wide-angle shot taken from my bed. Includes bookshelves, desk, and little black cupboard, wherein I stash all my goodies.

 The contents of my secret black cupboard: 
Top shelf: all the books of reference and notebooks for my current book, an old underwear box containing God knows what, my violin case, a copy of my first book, the Legacy of the Nautilus, a pen stand made for me by a grateful OC some years ago, and an old scrap of cloth.
Bottom shelf: My CD collection, CD reader in its styrofoam stand, a plastic bag containing (no doubt) more scraps of cloth, and a rolled-up white quilt which my kids steal whenever they get chilly while invading my bedroom. There's a vanity case in the corner there, too, and I think it has more CDs, but I'm not sure.


Here's the side view: speakers and wires on the floor (when I want to use my sewing machine I have to unplug my computer), my beautiful bedside lamp, and an excellent book (the complete works of Jane Austin) in case I feel like reading before bed. I usually keep my current on-going needlework project in the drawer, to help me relax before going to sleep. The white box in the right foreground is the hard cover of the sewing machine.

Sunday, November 10, 2013

Finished Gown

Here's the dress I made for Dove:
Italian pure silk, really soapy-slipperyish, delicate and fine. Tricky to work with, but rewarding to see the results. 


 Some details of the finishing of the hem, and inside back seam:

 The zipper seam: so beautiful! Took about seven reinstallations before I finally got it right.

 Close-up of the zipper seam:

 Adjustable shoulder straps:

Inside chest lining:

All the inside seams were finished with the "French seam" trick, so no little strings can come out. The seams lie quite flat after steam-ironing on the inside.

Inside back lining. A bit tricky -- took me 4 hours to set them!

See how the cloth shimmers in the light!
 The finished article and its delighted owner:


Airship Award Nominations

Steamcon® is proud to present the winners of the fourth annual Airship Award! The steampunk community has so many fabulously creative individuals, and we wish to honor them by celebrating their achievements and contributions.
The nominees for the 2013 Airship Awards are below.  The winners are bolded.
Written:   Any written piece of work, including but not limited to: novels, short stories, blogs, screen plays, etc.

•           The Aylesford Skull by James Blaylock

•           Steampunk Holmes: Legacy of the Nautilus by P.C. Martin

•           Executioner’s Heart by George Mann

Monday, March 25, 2013

29 Days Left to Live

This is Phoebe Wilding.
Missionary
She had leukemia some time ago, which went into remission after treatment. In February 2013, she was informed that cancer had returned, 
impervious, implacable, and incurable.
She was given the choice between a shaky bone marrow transplant, plus months of harrowing chemo sessions, for a chance of 5 more years, 
or mere weeks to live in peace.
She chose the weeks.

Here's what she wrote on her blog:
I’m sitting here trying to figure out what say, and coming up completely blank. I guess writing this out as a Facebook status makes it just that more real, but you need to know and so here it goes. On Jan 11th i went in for a bone marrow test, to see how my DNA was doing, to see if the abnormalities were still there and what the chances were of the Leukemia coming back. I was told to wait 3 weeks for the results. 11 days later my doctor called me and asked me to come in. At the appointment the doctor told me that not only was the Leukemia back in my bone marrow, but also that it was active. The options he gave me were: a bone marrow transplant which had a 50% chance of success and me surviving up to 5 years. Or I could continue as I am and not do any form of treatment. That would only give me a few months at most. The thing is that once the Leukemia comes back after it’s been in remission, it is very had to get rid of because it has become resistant to the chemo. Considering everything I’ve been through due to chemo, plus the lack of guarantee that the bone marrow will be successful, I have decided to continue as i have been without treatment and enjoy what I have left. I know some of you would like me to keep trying chemo and go for the transplant and do everything i can to fight this, but in praying about it and seeing what i have the faith for, I would prefer to spend my last days in peace, and enjoy life to the best of my ability. It freaks me out just as much as it is probably scaring you, and it’s hard for me to believe that it has gotten to the point that I’m actually sitting here typing this. As hard as it is, i hope you can support me in this so that the few months that i do have, will be peaceful and happy. Besides I’m going to Heaven, and what’s better than that? I love you and am so thankful for your support of me over these last 8 months, it has meant more to me then you will know. I love you!

DECISION

Thursday, February 7, 2013

Review on Wired.com


A Collection of Steampunk Reviews, Part I: Initiating Compression

Steampunk Contempation
If you’re not a steampunk fan, then please feel free to move on… nothing to see here. Yes, yes, yes… steampunk has jumped the shark… it’s just a fad… yada yada.
Still with me? Okay, good, because since the first week of December 2012, I have been reading almost nothing but steampunk books — fiction, non-fiction, and some in-between stuff. Steampunk is NOTdead… but my brain may very well be close to it. That said, over the next few days I’ll be sharing with you over a dozen different steampunk books that I’ve absolutely enjoyed. I’ve still got two that I’m finishing up, but hopefully I’ll have them completed in a few days.
I have to tell you — my steampunk library has now hit the two-shelf mark. It’s easily surpassed my 20+ cyberpunk collection (started back in 1987 with the discovery of Neuromancer that changed everything), and my Electronics collection never stood a chance with its measly 12-15 books. While working on my English degree, I chose the Victorian Era as a specialty for a few classes to focus my reading and writing — I’m certain having a deeper understanding of the culture, the technology, the politics, and the lifestyles of this period have fueled my interest in steampunk. At the same time, I was working on an engineering degree and gaining a better understanding of the amazing importance of the Industrial Revolution as I studied manufacturing methods and techniques. I think it was inevitable that Steampunk would win me over as a favorite genre.
So, sit back my, fellow brave explorers, and let me share with you some of the latest and greatest steam-powered entertainment that I’ve discovered. These are in no particular order… just pulling from the three short piles and hoping you’ll find one or more that pique your interest.
Steampunk Holmes
Ah, yes… Sherlock Holmes. Seems a match made in heaven, a fictional detective putting wonderful steam-powered devices to use in his investigations. This was a Kickstarter project that I somehow missed, but I would absolutely have backed it! As someone who has read every one of Doyle’s novellas and short stories concerning Holmes and Watson, I was expecting a series of short stories (I had somehow glossed over the book’s subtitle) but imagine my surprise to find an actual novella-length mystery involving The Nautilus! Yes, that Nautilus!
I do not believe I could write a Sherlock Holmes story using the same style as Doyle, so I was very impressed at Martin’s careful mimicry used in the back-and-forth banter between Holmes, Watson, Lestrade, and Mycroft. Oh yes, Mycroft figures quite prominently in this tale, but Martin has taken some liberties that I have to admit now, after finishing the story, were perfect choices… one being that Mycroft is Holmes’ older sister! She still has her government position, and I just loved how this change of gender dominoed into a number of interesting plot twists.
As for the mystery… it’s a good one. There’s plenty of head-scratching that comes with any good Holmes story. Just as Watson only gets snippets of Holmes’ reasoning, so does the reader. Again, the style of writing and the pace of the plotting matches carefully the canon stories.
But where’s the steam, you ask? As with any good steampunk story, if the steam-technology takes a back seat to the story, the writer has done a good job. You have to remember that if this world really exists, the technology is accepted and integrated into the daily routine… so while Watson is frightened to death of Holmes’ steam-powered bicycle, the Widowmak’r (with a sidecar added by Holmes to try to make Watson feel safer — he doesn’t), he also enjoys the use of his mechanical arm. It’s a London that’s easily recognizable because the technological changes just aren’t that many. Well, except forThe Nautilus. That’s a game changer. I don’t want to give away too much, but I think I should be safe in telling you that The Nautilus has been found (scuttled) and its design elements, including a propulsion tech that is beyond the Queen’s best engineers, have been recorded and saved on a series of punchcards that have been stolen. As you can guess, Holmes has been tasked with their recovery.
Steampunk Holmes was a joy to read, and I believe Martin has left herself plenty of room to expand on her version of Doyle’s world and detective. If a sequel ever comes around, I’ll be first in line to see where the author goes next.
Beneath Clock Tower
What Lies Beneath the Clock Tower by Margaret Killjoy
I’ve read a lot of steampunk books over the years, but I can honestly say I’ve never read one that let me choose the direction of the tale.
Yep, you heard it right — the book is introduced as Being an Adventure of Your Own Choosing. But this is not a Choose Your Own Adventure book for kids. No way.
The hero, you… well, he’s a bit of a drinker. Absinthe, to be exact. His name is Gregory, and his story starts with him simply trying to open his eyes and get out of bed to investigate an unusual sound outside his small room. He’s the caretaker of a clock tower, so one of the first decisions you’ve got to make is whether to go and investigate.
Don’t want to investigate? That’s okay. Don’t do it. But sooner or later you’ve got to get out of that bed, so you’ll be given another chance. Don’t want to get out of bed? Well, the author has a very good sense of humor and I love her method for ending the story when you decide to avoid decision making. More than once I chose to see what happens when indecision takes over, and the author puts it quite bluntly in one conclusion by saying “You need a book to read, to be certain, but not this one.”
But should you choose to actually make yourself useful, you’ll find plenty to do here! You see, the Gnomes have been keeping the Goblins enslaved in the mines for centuries, and the Goblins have decided that enough is enough. The book is 183 pages, but I’m honestly not certain that I’ve encountered every plot yet. There are choices that will put you fighting side-by-side with the goblins against the gnomes, choices that will send you to plead the goblins’ case with the gnomes, and choices that will send you to spend some time with some disgusting creatures called the kabouters who don’t seem to care about being under the gnomes’ control.
I love the gnomes, by the way. Described as wearing a type of armor resembling early underwater diving helmets and gear, it took one of the half dozen hand sketches scattered throughout the book for me to see the humor in the small-statured warriors.
The book offers many more endings and plot lines than a standard CYOA book. It’s a small book, too, so I’ve been carrying it with me for a few weeks as I’ve enjoyed finding new story endings and plot details. Even though I know I haven’t hit them all, there have been enough choices that I’m beginning to get the bigger picture… and it’s definitely fun!
(I’ve only found one error in the book, by the way — Gregory is described as wearing a bowler, but the gentleman on the cover is clearly wearing a stovepipe! Easily overlooked, especially facing down the gnome warriors armed with purple-ray-firing rifles!)
Buck's Journal
Professor Jonathan T. Buck’s Mysterious Airship Notebook by Keith Riegert & Sam Kaplan, Illustrated by Jonathan Buck
Beautiful! That’s the word that comes to mind with this 32 page hardback book. Described as The Lost Step-By-Step Dirigible Drawings From The Pioneer of Steampunk Design, this little book might be marketed towards a younger audience, but any steampunk fan is going to want it on the shelf. Why? Three reasons:
1. It’s a mystery! Buck disappeared along with his Air Paddle Steamer, the Claire, a steam-powered riverboat dirigible after radioing that he’d found a lost city. The book documents clues, maps, individuals, and animals… a mix of sketches, photos, and more make up the book’s evidence and the reader is left to solve the mystery.
2. It’s a tutorial! As the book progresses, the reader is taught how to draw a steam-powered airship. Options are provided that include a main hull, propellers, cabins, balloons, gauges, and more. My favorite has to be the steps to draw a boiler. Very creative.
Boilers
3. It’s a historical record! Timelines, maps, and inventories are provided that help flesh out the story that’s being told. Smudges, tape, and bits of hand lettering give the book a realistic feel. The Equipment List alone (page 26) is an amazing list of items that every steampunk fan will turn into a quest. (I’m trying to convert my office to a steampunk theme, and this list is pretty much being used as a shopping list.)
At the end of the book is an encrypted message from Buck that explains the fate of the Claire. There’s a smart method for decrypting the message, and young and old readers will want to investigate the book thoroughly before giving in and reading the solution. Absolutely enjoyable!
Steampunk Wells
Steampunk H.G. Wells, Illustrated by Zdenko Basic
and
Steampunk Mary Shelley’s Frankenstein, Illustrated by Zdenko Basic and Manuel Sumberac
Last year I was fortunate enough to get an early review copy of Steampunk Poe, and it turned out to be one of my favorite steampunk books of the entire year. I’m a huge fan of Poe, and having some of his best works side-by-side with some beautiful steam-infused illustrations was a great pairing.
Well, the folks at Running Press Classics have done it again… and again. They’ve released one book with three of H.G. Wells’ tales and another book with an unabridged version Shelley’s masterpiece. It’s been a decade or more since I’ve read any of these stories, so this was a great excuse to sit down and enjoy them again.
Steampunk H.G. Wells provides three tales — novels The Time Machine and The War of the Worlds, and short story The Country of the Blind. Steampunk Mary Shelley’s Frankenstein provides a reprint of the third edition of her novel that contained Shelley’s introduction to the story (versus the first edition which did not), required reading for my fellow students and me as a primer for understanding her frame of mind and the description of the figure that would become Dr. Frankenstein.
While Steampunk Poe provided a number of stunning illustrations scattered throughout the book, RPC has really upped the ante this time around — both books contain a larger number of illustrations, almost one full-color image every four to five pages.
Steampunk Shelley
These are stories that most of us know well; for those who do not, let me just say that these two volumes certainly would be the ones I would love to have had the first time I read these authors’ works. For any students out there who might be assigned any or all of these tales, the images contained in each book support the respective text with a unique style.
The images for the Wells book are all full-page insets with a unique rounded plate in the center containing the main image and surrounded a patchwork of rusty, metal plates… as if you’re staring out the viewport of an airship, observing extremely life-life images of The Time Traveller… or the Martians.
As for Frankenstein, these images are presented in a card-like format, reminding me of Tarot cards but labeled with specific scenes from the story (some with location) and always slightly askew. (There are a number of them that I would love to have as framed works of art.)
These two hardbacks are sitting next to Steampunk Poe, worthy editions to my library. I’m looking forward to the day when I can share them with my sons — I don’t know when (or if) these become recommended reading in school, but I know the illustrations will well received.
Tomorrow: Steampunk reference material reviews…